(The pictures are from previous Jazznights gigs as our regular photographer was unable to attend the gig due to ill health)
Harry has been a regular in the sitting-in spot over a number of years and it now seems fitting 
that he appears at Jazznights as a featured guest artist. Although he will be performing mainly on the tenor saxophone Harry is quite the multi-instrumentalist being equally talented on guitar and a number of other instruments. Harry was a semi finalist this year in the BBC young jazz musician of the year.
Harry has been playing the saxophone for eight years. His passion is jazz/blues/fusion and he loves the freedom of improvisation. From an early age he gained valuable experience playing the ‘sitting in’ spot with the Roger Odell trio at their regular Jazz Nights. He’s been welcomed at two excellent jazz clubs in Bury St Edmunds; The Devil’s Kitchen Collective and the Hunter Club, where he’s building up an enviable CV playing with Alan Barnes, Derek Nash and Liane Carroll to name a few. Harry’s also a member of the Cambridge Jazz Co-op. In 2011 he was voted West Suffolk Young Musician of the Year; and at Bures Music Festival, scooped the Alan Crumpton Memorial Cup. He also gained a place as an AYM and was thrilled to be part of the Exchanging Worlds Ensemble in July this year when they opened the Latitude Festival on the Waterfront Stage as part of the Cultural Olympiad. 
It’s through AYM (Aldeburgh Youth Musicians) that he’s now having sax lessons with Led Bib’s Pete Grogan on a masterclass basis. Harry’s also a gifted guitar player and is a member of Robbie Gladwell’s band appearing regularly in Suffolk and Essex at charity concerts, pubs, festivals and, in August gigged with Robbie at a private party in the Olympic village. It’s through his relationship with Robbie that he’s come to the attention of Hughes & Kettner, a German company specialising in the production of high end amplifiers. H&K were so impressed with his guitar playing they offered Harry an endorsement deal and 2 year contract. In his free time Harry enjoys busking in Bury St Edmunds, relieving the locals of their small change to fuel his guitar buying habit.
Bures Music Festival and BFest competition provides a tremendous platform for youngsters to gain experience in front of a large and very appreciative crowd.
Harry Greene first appeared on the festival stage back in 2009 and over the years has been a competition finalist and winner and in 2011, with his school band, was thrilled to win the Alan Crumpton Memorial Cup for best musical interpretation.
Harry’s ability on saxophone and guitar was quickly spotted by the festival organisers who gave him the opportunity to play the support slot in 2010 for Joanna Eden and Jo Fooks. And in 2012 Harry was back on the festival stage headlining with the Robbie Gladwell Band.
Harry’s passions are jazz, blues, fusion, soul – and he loves the freedom of improvisation.
In 2011, as well as being voted West Suffolk Young Musician of the Year, Harry also won a place at the prestigious Aldeburgh Young Musicians (AYM) Centre for Advanced Training (CAT) as an AYM Leverhulme Artist with Aldeburgh Music.
The thriving local Suffolk/Essex Jazz scene has been tremendously generous and supportive of Harry and since his first ‘sitting in’ spot at the age of 8 with the Roger Odell trio at their jazz nights in Clare, he’s been given opportunities to share the stage at various jazz clubs with the likes of Alan Barnes, Simon Bates, Derek Nash, Liane Carroll and Tina May.
The Jazznights Trio were:
Roger Odell – Drums
Roger was one of the founder members and drummer with the jazz-funk group Shakatak andthe forerunner band Tracks. Roger has toured internationally and recorded numerous CDs, which he continues to do on a regular basis to this day. Apart from a great power drummer he is also a prestigious arranger. Musically, his first love was always straight-ahead contemporary jazz, and in the past he has played with many of the great names on the UK scene including Don Rendell, Barbara Thompson, Dick Morrissey, Terry Smith, Joe Harriott and countless others. Roger is the author of three technical articles which appeared in the international magazine Modern Drummer.
Peter Lemer – Keyboards
Peter Lemer is an English jazz musician. He has worked with the Pete Lemer Quintet, Spontaneous Music Ensemble, Annette Peacock, Harry Beckett, Gilgamesh, Baker Gurvitz 
Army, Seventh Wave, Harry Beckett’s Joy Unlimited, PierreMoerlen’s Gong, Mike Oldfield Group, In Cahoots, Miller/Baker/Lemer. He currently works with In Cahoots, Peter LemerTrio/Quartet, Barbara Thompson’s Paraphernalia, and the Peter Lemer-Billy Thompson Quartet and Duo. In 1969, he worked with the Spontaneous Music Ensemble. In the last few years, Lemer has remained a fixture of In Cahoots – he can be heard on Parallel (1996), Out Of The Blue (2001), All That (2003) and Conspiracy Theories (2006), most of which also feature his writing – as well as playing one-off gigs with old friends Steve Cook (bass) and Roger Odell (drums), recording an album with them in Israel
With additional vocals from Larraine Odell.
Steve Cook – Double Bass
Steve has a wonderful rounded tone with great clarity. He has played with Mike Westbrook, Mike Kilpatrick’s Duke Ellington Orchestra,Jazznights, Barbara Thompson, Soft Machine, Seventh Wave and Gil Evans big band at Ronnie Scott’s.
The Jazznights Trio opened the first set with:
Looking For Soup composed by Peter Lemer and is the title track from one of his albums.
Tricrotism written by the American bassist, cellist and composer Oscar Pettiford
Harry Greene then joined the band to play:
And All Because written by a recent guest to Jazznights Simon Bates. And All Because being the title track of one of Simon’s albums.
Winelight is the title track of an 1980 album by jazz musician Grover Washington, Jr.
Song for My Father is a 1965 album by the Horace Silver Quintet, released on the Blue Note label in 1965.
Soul Station is from an album by jazz saxophonist Hank Mobley, released in 1960 on Blue Note Records.
I Was Lost In Her Love – a Derek Nash composition from the Spike Robinson & Derek Nash
album Young Lions Old Tigers.
Harry Greene together with Lewis Evans (Lewis is from Cambridge and he started playing the flute when he was seven and now also plays the piccolo, cello and bass guitar (opened the the second set to play: Cold Duck and Charlie Parker’s Barbados.
Harry then played the rest of the set with the trio featuring guitar tenor and alto saxophones playing:
Bernie’s Tune written by Bernie Miller which is usually associated with Gerry Mulligan.
Mo Better Blues from the film of the same name which featured the music of Branford Marsalis.
Voodoo Rex by Derek Nash from his Joyriding Album.
Sugar from Stanley Turrentine’s 1971 album of the same name.
Tune 88 from the American pianist Jeff Lorber
THE BEST IN BRITISH MODERN JAZZ is at Jazznights, The Cock Inn, 3, Callis Street, Clare, Suffolk, CO10 8PX
Admission £10. Doors open 7.30pm. Music 8.00-10.30pm.
Reserve seating on 01787 237653 or email info@jazz-nights.com
Pay on the night.
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For further information on future gigs which will feature RENATO D’AIELLO (sax), JACQUI HICKS (voc), CHRISTINE TOBIN (voc) & PHIL ROBSON (gtr), DAVE O’HIGGINS (sax), SIMON SPILLETT (sax) amongst others go to www.jazz-nights.com
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